Highlights from this year’s Golden Globe and Critics Choice Awards.
The lead of Wes Anderson’s The Phoenician Scheme tells Hollywood Authentic how Cannes was the secret ingredient in their latest collaboration.
The scheme at the centre of Wes Anderson’s latest is as precisely matriculated and detailed as the auteur’s work.
Photographs by MARK READ Words by JANE CROWTHER If you drive north from San Francisco on the 101, the impressive engineering feat of the Golden Gate Bridge is a postcard view that wows. But further north, nestling among the rolling countryside and a carpet of trees, lies another architectural feast for the eyes – one that
Paolo Sorrentino, director of an as yet untitled love letter to his native city, heads back to Naples. I have photographed Paolo Sorrentino a number of times over the past five years, getting to know him better as his awards campaign for The Hand of God ramped up from Venice through to the Oscars. But
‘In this business,’ reads the opening quote by Bette Davis, ‘until you’re known as a monster, you’re not a star.’
