Words by JANE CROWTHER
Kathryn Bigelow excels at building tension around real-life horror as seen in the bomb disposal squad in Iraq in The Hurt Locker or the countdown search for Osama Bin Laden in Zero Dark Thirty. She raises the bar again with a film so terrifying that you won’t know whether to sob or scream watching it through your fingers. Rashomon-style in the retelling, A House of Dynamite follows different US government workers during twenty life-changing minutes when a nuclear missile is detected launching and heading for the US. Over three repeated chapters, Noah Oppenheim’s detailed script tracks the complex protocols triggered by such an event and the bravery required of personnel when the world looks very likely to end. Of course they’ve trained for this, but when it’s real, when 10 million people will die imminently, when DEFCON escalates from four to one within a quarter of an hour – what is the human response?
If that sounds like a standard opener to an actioner, it’s not. There are no easy answers or Jack Ryan figures ready to save the day. Even the sensible president (Idris Elba) is so confounded by his choices when given what he describes as a ‘diner menu’ of devastating no-win retaliation options, fumbles. This is a film that opens with normal people having a normal morning before armageddon begins; in Fort Greenly, Alaska a military team assume that a heatscore on their satallite tracking system must be an anomaly, reporting it to a cool duty office in the White House Situation Room (Rebecca Ferguson) who opens up dialogue with the Secretary Of Defence (Jared Harris), military brass and security advisors. As things become more serious by the minute, the magnitude of being the first to understand the scale of the calamity hits home. And that’s when A House of Dynamite becomes an emotional gutpunch as calm calls to loved ones are made, only select personnel are taken to the bunker to be saved and the time on the clock ticks down.
With on-screen captions explaining the acronyms used in the theatre of war and a script that informs without dumbing down, it’s horrifically easy to keep track of the options (or lack of them) in the case of nuclear war. Without knowing what country has launched the attack there is only a choice of escalation or de-escalation, both irreparably changing the world and killing millions. As the situation is viewed from three different levels of leadership the question remains the same to the audience in each chapter: what would you do? And, perhap more scarily, what would current real-world global leaders do?
Sobering, taut and as precision-executed as the White House procedures, A House Of Dynamite is a classy, almost unbearable watch that will make you squeeze family members close after viewing, breathing a sign of relief that, for now, this scenario remains in the realms of make-believe.
Words by JANE CROWTHER
Photographs courtesy of NETFLIX
A House of Dynamite premiered at the 82nd Venice Film Festival
Released in cinemas on 10 October
