Naomi Ackie shows Greg Williams her imperfect painting.
THE PHOENICIAN SCHEME
The scheme at the centre of Wes Anderson’s latest is as precisely matriculated and detailed as the auteur’s work.
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Naomi Ackie shows Greg Williams her imperfect painting.
The scheme at the centre of Wes Anderson’s latest is as precisely matriculated and detailed as the auteur’s work.
It was wonderful to work with Colman Domingo this issue, and chart his career path from New York to LA, from theatre to film. His journey
