Mikey Madison takes Greg Williams back home.
THE PHOENICIAN SCHEME
The scheme at the centre of Wes Anderson’s latest is as precisely matriculated and detailed as the auteur’s work.
Menu
Mikey Madison takes Greg Williams back home.
The scheme at the centre of Wes Anderson’s latest is as precisely matriculated and detailed as the auteur’s work.
After Quintin Dupieux and Francis Ford Coppola’s cinematic essays on their relationships with art, Paul Schrader offers his own at Cannes this week.
