DISPATCH: KODI SMIT-MCPHEE DISCLAIMER
Words by JANE CROWTHER
Photographs by GREG WILLIAMS
‘I should have stayed in my seat,’ Kodi Smit-Mcphee smiles when he recalls premiering Alfonso Cuarón’s new Apple+ limited series Disclaimer on the Venice Film Festival red carpet directly before the premiere of Maria, in which he also stars. In Disclaimer, based on Renee Knight‘s 2015 bestseller, Cate Blanchett plays an award-winning documentary filmmaker, Catherine Ravenscroft, who’s past comes back to haunt her when she receives a novel in the post. Told via three different perspectives and two different time periods, Smit-Mcphee plays the directionless son she shares with Sasha Baron Cohen. In Pablo Larrain’s biopic of Maria Callas starring Angelina Jolie, he appears as the personification of her sedative medication who manifests as a TV reporter questioning her in the week of her life. ‘’I’m literally named Mandrax, which is this suppressant kind of medication that she takes. It’s these therapeutic conversations that she’s ultimately having with her subconscious – but with me,’ he tells Hollywood Authentic when we sit down overlooking the Grand Canal in the St Regis Hotel. Both projects gave him the opportunity to work closely with powerhouse actors in Blanchett and Jolie. ‘It was great in the sense of just how generous and giving and safe and comforting these women are. I really feel like both took me under their wing, and made me feel welcomed and good. And a couple of Angelina’s sons were also on set. So I hung out with them quite a bit. They were really beautiful as well.’
Venice hosted two red carpets for the premiere of the seven-part Disclaimer – the cast photographed on both occasions by Greg Williams – and for Smit-Mcphee coming to Venice gave the actor the chance to spend time with co-stars he didn’t meet during filming as their characters’ timelines didn’t cross on-screen. He and Leila Geroge, who plays the younger Catherine, and Louis Partridge – who essays a young man who has a life-changing impact on her – compared notes on filming as Smit-Mcphee spent six months filming on sets in London (and adopting an English accent) while George and Partridge filmed for seven weeks in Italy.
For George the role required the actor to play two very different versions of the character as well as perform key explicit scenes with Partridge. The part required her to go to some dark place. ‘I use music quite a lot for when I have to shift into another place emotionally. Different playlists for different things, and that just immediately triggers something for me,’ she says. And the intimate scenes were an additional challenge. ‘It’s really important, of course, to have an intimacy coordinator so that everyone feels that there’s someone that they can go to, and feel safe. So there’s that side of it – the technical side of it. The other side of it is just getting to know [Partridge], and feeling safe with the person as a friend. We had so much time in Italy before we did those scenes. We’d go to each other’s trailers before we’d do something like that, and be like, ‘How are you feeling about the day?’ Communication and check-ins. And then just being able to let it go. Just leave it behind.’
‘It was kind of like a dance. It was all rehearsed,’ Partridge agrees. ‘And so, in some ways, it was more helpful to be in your own space, and occasionally checking in. Because we knew what we were about to do. And then, at the end of the day, we’d have a little dance, and shake it all off.’
Smit-Phee laughs that he enjoyed digging into playing a ‘grubby, homebody kind of teen’ as Blanchett and Baron Cohen’s son. As for working with Blanchett as his mum, he says: ‘Cate makes you question your abilities in the best way because she can go from this beautiful, light-hearted, joking fun in between takes. But then when she needs to go into something dark and heavier, it’s almost as if there’s a switch. But of course, there’s not a switch. It’s a great deal of work she does to develop these characters and get into these moments. But, my God, it looks like magic.’
The resulting work in Disclaimer is ‘so powerful’ and will prompt important conversation, says Partridge. He’s just completed work on Noah Baumbach’s new film and is currently filming Guinness, the story of the stout dynasty, playing Edward Guinness. ‘It’s brilliant, I’m loving it,’ he enthuses. ‘Do I get a lifetime’s supply of Guinness now? It wasn’t in my contract. That was a mistake, perhaps…’
Disclaimer premieres on Apple TV+ on 11 October
Read our review of Disclaimer here
