ISSUE 8 – 2025

February 10, 2025

mikey madison, anora, hollywood authentic, greg williams

Hanging out and talking with Mikey Madison over a couple of days as she cooked breakfast pancakes, attended events and revisited her childhood home was a unique experience – and a perfect example of what Hollywood Authentic represents. Fiercely talented yet shy and incredibly honest, Mikey shared the artist at the core of her work without artifice. And it was a fascinating moment for me; I was watching a star being born. This issue is all about capturing rising raw talent. Monica Barbaro, who I last photographed at the Golden Globes during Top Gun: Maverick’s awards run, is now a formidable awards contender as Joan Baez in A Complete Unknown. Leo Woodall, who shot into our consciousness with The White Lotus, is now Bridget Jones’ possible new romantic interest. Malachi Kirby, a BAFTA winner with Mangrove, is now headlining a new binge-watch obsession. They say that luck is just a case of preparation meets opportunity. But it’s also about integrity and feeling sure that when opportunity knocks, you never miss.

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Mikey Madison by Greg Williams

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GREG WILLIAMS
Founder, Hollywood Authentic

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TRENDING

Sandra Hüller, Hanns Zischler, August Diehl

FATHERLAND

Paweł Pawlikowski’s latest film is beautifully calibrated and poignant – and proof that running times do not need to be bombastic

James Bond, Mark Read, Paddington Bear, Sherlock Holmes, The Reform Club

CHAMBER OF SECRETS

A London institution since the 1840s, this grand Italianate palace on Pall Mall has hosted numerous film and literature greats

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HOKUM

When watching Damien McCarthy’s Irish folk horror it’s impossible not to think about The Shining – and that’s no bad thing.

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ANA DE ARMAS – BLONDE

GREG WILLIAMS: ANA AND ANDREWI first met Ana in 2016 at the Cannes premiere of a movie called Hands of Stone, which was about the Panamanian boxer Roberto Duran, in which she played Felicidad Iglesias, the fighter’s wife. She did not speak English then. Fast forward to 2022 and the world premiere of Andrew Dominik’s