ISSUE 7 – 2024

November 15, 2024

paul mescal, gladiator II, hollywood authentic, greg williams

When I first started Hollywood Authentic one of my more cynical friends questioned how Hollywood could possibly be authentic? Especially since it dealt for the most part in fiction. The more I connect with artists who are open, genuine, unapologetically flawed and vulnerable, the more apparent it becomes to me how wrong that friend was. 

Cartier, Gladiator II, Greg Williams, Gucci, Hamnet, Paul Mescal
Paul Mescal by Greg Williams

Take our cover subject, Paul Mescal, who opened up about mental health and self doubt while showing me his horse skills he learned for Gladiator II. Or Naomi Ackie, who creates deliberately ‘ugly paintings’ as a form of therapy against her constant need to strive for perfection. Both remind me of the lyric Ben Mendelsohn once quoted to me from Leonard Cohen’s song Anthem; ‘Forget your perfect offering; There is a crack, a crack in everything – That’s how the light gets in.’ I’m proud that Hollywood Authentic continues to show the cracks – and the light – through honest conversations with artists.

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greg williams signature

GREG WILLIAMS
Founder, Hollywood Authentic

hollywood authentic, greg williams, hollywood authentic magazine

TRENDING

Bill Pullman, Jack Huston, Richard Gere, Sofia Boutella

THE BASICS OF PHILOSOPHY

Paul Schrader continues his ‘Man in a Room’ treatise with this examination of guilt, repression, legacy and the big questions

Liam Gallagher, Noel Gallagher, Oasis: Don’t Look Back in Anger

OASIS

As Greg Williams joins Liam and Noel Gallagher for their first trip to the Venice Film Festival with their documentary, Oasis: Don’t Look Back In Anger

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MAXXXINE

‘In this business,’ reads the opening quote by Bette Davis, ‘until you’re known as a monster, you’re not a star.’

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PAOLO SORRENTINO

Paolo Sorrentino, director of an as yet untitled love letter to his native city, heads back to Naples. I have photographed Paolo Sorrentino a number of times over the past five years, getting to know him better as his awards campaign for The Hand of God ramped up from Venice through to the Oscars. But