ISSUE 7 – 2024

November 15, 2024

paul mescal, gladiator II, hollywood authentic, greg williams

When I first started Hollywood Authentic one of my more cynical friends questioned how Hollywood could possibly be authentic? Especially since it dealt for the most part in fiction. The more I connect with artists who are open, genuine, unapologetically flawed and vulnerable, the more apparent it becomes to me how wrong that friend was. 

Cartier, Gladiator II, Greg Williams, Gucci, Hamnet, Paul Mescal
Paul Mescal by Greg Williams

Take our cover subject, Paul Mescal, who opened up about mental health and self doubt while showing me his horse skills he learned for Gladiator II. Or Naomi Ackie, who creates deliberately ‘ugly paintings’ as a form of therapy against her constant need to strive for perfection. Both remind me of the lyric Ben Mendelsohn once quoted to me from Leonard Cohen’s song Anthem; ‘Forget your perfect offering; There is a crack, a crack in everything – That’s how the light gets in.’ I’m proud that Hollywood Authentic continues to show the cracks – and the light – through honest conversations with artists.

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GREG WILLIAMS
Founder, Hollywood Authentic

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TRENDING

Liam Gallagher, Noel Gallagher, Oasis: Don’t Look Back in Anger

OASIS

As Greg Williams joins Liam and Noel Gallagher for their first trip to the Venice Film Festival with their documentary, Oasis: Don’t Look Back In Anger

Callum Turner, Monica Barbaro, Maya Hawke, Molly Ringwald, Julia Fox

ONE NIGHT ONLY

In an alt-theonomic USA premarital sex has been outlawed and singletons are only allowed to copulate (with a mandated condom) for one night a year

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jessica chastain, hollywood authentic, cover story, greg williams, greg williams photography

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Highlights from this year’s SAG, BAFTA and The 94th Academy Awards. 

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Having premiered at TIFF last year, this dark comedy arrives in cinemas just as the Autumn school term gets under way. There will no doubt be educators

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THE PLAYER

Slave Play alumnus James Cusati-Moyer tells Hollywood Authentic about the art of ‘holding on tightly, letting go lightly’