ISSUE 7 – 2024

November 15, 2024

paul mescal, gladiator II, hollywood authentic, greg williams

When I first started Hollywood Authentic one of my more cynical friends questioned how Hollywood could possibly be authentic? Especially since it dealt for the most part in fiction. The more I connect with artists who are open, genuine, unapologetically flawed and vulnerable, the more apparent it becomes to me how wrong that friend was. 

Cartier, Gladiator II, Greg Williams, Gucci, Hamnet, Paul Mescal
Paul Mescal by Greg Williams

Take our cover subject, Paul Mescal, who opened up about mental health and self doubt while showing me his horse skills he learned for Gladiator II. Or Naomi Ackie, who creates deliberately ‘ugly paintings’ as a form of therapy against her constant need to strive for perfection. Both remind me of the lyric Ben Mendelsohn once quoted to me from Leonard Cohen’s song Anthem; ‘Forget your perfect offering; There is a crack, a crack in everything – That’s how the light gets in.’ I’m proud that Hollywood Authentic continues to show the cracks – and the light – through honest conversations with artists.

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GREG WILLIAMS
Founder, Hollywood Authentic

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TRENDING

Sandra Hüller, Hanns Zischler, August Diehl

FATHERLAND

Paweł Pawlikowski’s latest film is beautifully calibrated and poignant – and proof that running times do not need to be bombastic

Avedon, Apollo 13, Backdraft, The Paper

RON HOWARD

Ron Howard first arrived in Cannes in 1987 with Willow. Since then he’s brought numerous films to the festival and this year

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Andor, Chernobyl, Dune, Sentimental Value

STELLAN SKARSGÅRD

‘The importance of the festival is not only to celebrate good films,’ says Stellan Skarsgård when Greg Williams meets him

fantastic beasts, eddie redmayne, hollywood authentic, greg williams, greg williams photography

FANTASTIC BEASTS

Fantastic Beasts: The Secrets of Dumbledore, which is set decades prior to the Harry Potter series, feels strangely prescient