ISSUE 7 – 2024

November 15, 2024

paul mescal, gladiator II, hollywood authentic, greg williams

When I first started Hollywood Authentic one of my more cynical friends questioned how Hollywood could possibly be authentic? Especially since it dealt for the most part in fiction. The more I connect with artists who are open, genuine, unapologetically flawed and vulnerable, the more apparent it becomes to me how wrong that friend was. 

Cartier, Gladiator II, Greg Williams, Gucci, Hamnet, Paul Mescal
Paul Mescal by Greg Williams

Take our cover subject, Paul Mescal, who opened up about mental health and self doubt while showing me his horse skills he learned for Gladiator II. Or Naomi Ackie, who creates deliberately ‘ugly paintings’ as a form of therapy against her constant need to strive for perfection. Both remind me of the lyric Ben Mendelsohn once quoted to me from Leonard Cohen’s song Anthem; ‘Forget your perfect offering; There is a crack, a crack in everything – That’s how the light gets in.’ I’m proud that Hollywood Authentic continues to show the cracks – and the light – through honest conversations with artists.

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greg williams signature

GREG WILLIAMS
Founder, Hollywood Authentic

hollywood authentic, greg williams, hollywood authentic magazine

TRENDING

Casino Royale, Daniel Craig, Eva Green, Mads Mikkelsen

CASINO ROYALE 20 YEARS

For over 20 years Greg Williams was the official photographer to James Bond. Here he looks back at his time shooting the beginning of Daniel Craig’s tenure

Russell Crowe

RUSSELL CROWE

The Australian actor volleys with Greg Williams on the Cipriani tennis court and with journalists on the Lido as he premieres

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DAMIAN LEWIS

When I meet Damian Lewis on a beautiful sunny day in May at the lakeside Villa D’Este, it’s gearing up to be a scorcher.

james cusati-moyer, slave play, hollywood authentic x n.peal, greg williams

THE PLAYER

Slave Play alumnus James Cusati-Moyer tells Hollywood Authentic about the art of ‘holding on tightly, letting go lightly’

Jack O’Connell, Back To Black, Hollywood Authentic, Greg Williams

JACK O’CONNELL

Photographs and interview by GREG WILLIAMSAs told to Jane Crowther Jack O’Connell doesn’t like to hurry his eggs. ‘Low and slow,’ he insists, talking me through his breakfast wrap one drizzly March Friday morning in north east London when I meet him at his home. He takes half an hour to scramble his eggs as he