ISSUE 7 – 2024

November 15, 2024

paul mescal, gladiator II, hollywood authentic, greg williams

When I first started Hollywood Authentic one of my more cynical friends questioned how Hollywood could possibly be authentic? Especially since it dealt for the most part in fiction. The more I connect with artists who are open, genuine, unapologetically flawed and vulnerable, the more apparent it becomes to me how wrong that friend was. 

Cartier, Gladiator II, Greg Williams, Gucci, Hamnet, Paul Mescal
Paul Mescal by Greg Williams

Take our cover subject, Paul Mescal, who opened up about mental health and self doubt while showing me his horse skills he learned for Gladiator II. Or Naomi Ackie, who creates deliberately ‘ugly paintings’ as a form of therapy against her constant need to strive for perfection. Both remind me of the lyric Ben Mendelsohn once quoted to me from Leonard Cohen’s song Anthem; ‘Forget your perfect offering; There is a crack, a crack in everything – That’s how the light gets in.’ I’m proud that Hollywood Authentic continues to show the cracks – and the light – through honest conversations with artists.

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greg williams signature

GREG WILLIAMS
Founder, Hollywood Authentic

hollywood authentic, greg williams, hollywood authentic magazine

TRENDING

Robert Pattinson, Merritt Wever, Skyler Gisondo, Phoebe Bridgers, Anna Faris

PRIMETIME

Like Danny Boyle’s opener at this year’s Venice film festival, Ink, Lance Oppenheim’s cautionary tale entrenches with tabloid

Domhnall Gleeson, Kate Mara, Orlando Bloom, Rooney Mara

BUCKING FASTARD

Werner Herzog begins his whimsical, empathic and quirky tale of two sisters living in enmeshment by dedicating it to

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THE SURFER

As soon as a grainy 70s title card comes up declaring ‘Nicolas Cage is The Surfer’ you know what kind of movie director Lorcan Finnigan is tapping into

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PILLION

Based on Adam Mars-Jones’ novella, Box Hill, Harry Lighton’s Pillion might be about a BDSM relationship between a shy young man and biker

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CARTIER AT THE BAFTAs

Greg Williams looks back on two decades of capturing the BAFTAs, and the Cartier gems that shone on the biggest night in British film