FESTIVALS 2022

October 13, 2022

colin farrell, venice film festival, hollywood authentic, greg williams, greg williams photography

Highlights from this year’s Cannes and Venice Film Festivals. 

walter hill, willem dafoe, venice film festival, hollywood authentic, greg williams, greg williams photography
Walter Hill and Willem Dafoe at the Venice Film Festival
baz luhrmann, cannes, cannes film festival, hollywood authentic, greg williams, greg williams photography
Baz Luhrmann at the Cannes Film Festival
penelope cruz, venice film festival, hollywood authentic, greg williams, greg williams photography
Penélope Cruz at the Venice Film Festival
lea seydoux, cannes, cannes film festival, hollywood authentic, greg williams, greg williams photography
Léa Seydoux at the Cannes Film Festival
cate blanchett, venice film festival, hollywood authentic, greg williams, greg williams photography
Cate Blanchett at the Venice Film Festival
viola davis, cannes, cannes film festival, hollywood authentic, greg williams, greg williams photography
Viola Davis at the Cannes Film Festival
maude apatow, sydney sweeney, venice film festival, hollywood authentic, greg williams, greg williams photography
Maude Apatow and Sydney Sweeney at the Venice Film Festival
austin butler, cannes, cannes film festival, hollywood authentic, greg williams, greg williams photography
Austin Butler at the Cannes Film Festival
simone ashley, venice film festival, hollywood authentic, greg williams, greg williams photography
Simone Ashley at the Venice Film Festival
kate winslet, cannes, cannes film festival, hollywood authentic, greg williams, greg williams photography
Kate Winslet at the Cannes Film Festival
jodie turner smith, venice film festival, hollywood authentic, greg williams, greg williams photography
Jodie Turner-Smith at the Venice Film Festival
julia roberts, venice film festival, hollywood authentic, greg williams, greg williams photography
Julia Roberts at the Cannes Film Festival
idris elba, cannes, cannes film festival, hollywood authentic, greg williams, greg williams photography
Idris Elba at the Cannes Film Festival
brendan fraser, venice film festival, hollywood authentic, greg williams, greg williams photography
Brendan Fraser at the Venice Film Festival
olivia dejonge, cannes, cannes film festival, hollywood authentic, greg williams, greg williams photography
Olivia DeJonge at the Cannes Film Festival
florence pugh, venice film festival, hollywood authentic, greg williams, greg williams photography
Florence Pugh at the Venice Film Festival

TRENDING

brian tyree henry, rachel morrison, ryan destiny, the fire inside

THE FIRE INSIDE

At this time of year, cinema is an embarrassment of riches – the films that could have been contenders…

Animal Kingdom, Disclaimer, Leila George, Runner, The Beast in Me

LEILA GEORGE

The Disclaimer actor tells Hollywood Authentic about her appreciation for specific Skittles, magicians, puppies…

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oh canada, richard gere, urma thurman, jacob elordi, paul schrader

OH, CANADA

Words by JANE CROWTHER After Quintin Dupieux and Francis Ford Coppola’s cinematic essays on their relationships with art, Paul Schrader offers his own at Cannes this week. Dedicated to the late author Russell Banks, Schrader explores mortality, legacy and fraudulence in art as he tracks an irascible dying documentary-maker, Leonard Fife (Richard Gere) giving a deathbed

megalopolis, adam driver, francis ford coppola, cannes, hollywood authentic

MEGALOPOLIS

Words by JANE CROWTHER Megalon is a futurist building material developed by an architectural planning czar, Cesar (Adam Driver), in New Rome – New York with toga-esque clothes and a bacchanalian social scene – where a fight for power and ideology kicks off as Cesar defies the laws of physics and stops time, drops his ambitious

christopher abbott, julia garner, leigh whannell, matilda firth, wolf man

WOLF MAN

Words by JANE CROWTHERPhotographs by NICOLA DOVE Leigh Whannell aced updating The Invisible Man in 2020 by making it a horror about domestic abuse and gaslighting, and he’s on the money again with another smart reinterpretation of a Universal classic monster. This time he takes the Lon Chaney jr horror and places it in 1995 Oregon