CATHERINE DENEUVE

May 20, 2023

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CANNES DISPATCH 3
Photographs by GREG WILLIAMS


Catherine Deneuve is in Cannes this year. She attended the inauguration ceremony at the 76th Cannes Film Festival and read Lesya Ukrainka’s poem Hope, reciting the piece in French, which was written by the Ukrainian poetess in 1880, when she was eight years old. The poem is translated to English below:

Hope
I have no happiness, and I am not free,
There’s only one hope left for me:
To return to Ukraine once again,
And see my native land in the end,
Have another look at the blue Dnipro –
No matter if I live or die there alone;
Have one more look at the steppe and graves,
Let one last passionate reverie rave…
I have no happiness, and I am not free,
There’s only one hope left for me.

Undoubtedly an icon of the silver screen – photographs of the French actress in the ’60s and ’70s are some of the most memorable from the era. This year in Cannes, she is everywhere, because one of those images – photographed on the Côte d’Azur in 1968, during the shooting of La Chamade directed by Alain Cavalier – features as the official poster of the 76th Cannes Film Festival.


Catherine Deneuve wears Louis Vuitton and Cartier

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Clint Bentley co-wrote Sing Sing and his adaptation (with Greg Kwedar) of Denis Johnson’s 2011 novella is just as heartfelt, gem-like and profound

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AWARDS 2023

Highlights from this year’s Golden Globe and Critics Choice Awards.

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MARION COTILLARD

CANNES DISPATCH 6 … Photographs by GREG WILLIAMS Marion Cotillard is in Cannes for a special screening of Little Girl Blue, a French-Belgian docudrama that tells the story of the mysterious disappearance of director Mona Achache’s mother, the author Carole Achache, played by Cotillard. The Oscar-winning actress also currently stars in Apple TV+’s dystopian, climate-focussed series Extrapolations,

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THE SECOND ACT

Words by JANE CROWTHER Archly meta and reflexive, Quentin Dupieux’s cheeky comedy is precisely the sort of movie to open a film festival – with its fourth wall breaks, mid-scene appeals to film buffs and discussion on the purpose of art. Audiences for Cannes’ opening night film ate up a self-described indie that has plenty to