If I could have chosen any band in the world to go on tour with, it would have been Radiohead. I regard them as genius level artists and their music has personal meaning to me, they’re also a band who remain fiercely private and rarely grant access. So when Thom Yorke agreed to have me to join them on the Bologna leg of their recent European tour, it was a ‘pinch me’ moment. As a group, their music has appeared in numerous films, and as individuals, both Thom and Jonny Greenwood have created award-nominated soundtracks for cinema (with Jonny recently Oscar-nominated for his One Battle After Another soundscape). 

Radiohead, Colin Greenwood, Ed O’Brien, Jonny Greenwood, Philip Selway, Thom Yorke
Photograph by Colin Greenwood

Music and movies have always been bedfellows and this issue reflects that symbiosis – not only through Radiohead’s tour, but also through Simone Ashley who invited me to observe her work on her debut album in studios in London and LA (working with Diane Warren who has racked up 17 Oscar nominations). I first heard Simone sing during the Cannes Film Festival a couple of years ago as we sat by the sea and, impressed by what I heard, I’ve dipped in and out of her creative process as she’s shaped her EP – her acting experiences directly informing and complementing the music she’s writing. Music is also alive in my shoot with Mia McKenna-Bruce at Abbey Road Studios, as we discuss her acting journey that has led to her playing Maureen Starkey in Sam Mendes’ upcoming four-film event biopic, The Beatles.

Radiohead memorably featured in Baz Luhrmann’s Romeo + Juliet and Baz has always been a director with great musicality. His latest film, EPiC, a reimagining of an Elvis Presley live Vegas concert created with unseen footage shows the artistic synergy between film and music. He tells us about that process, while our architecture feature this issue celebrates the Frank Gehry-designed Walt Disney Music Hall in LA, Hollywood’s go-to sonic space.

Elsewhere, my on-set shoot on Crime 101 was a fascinating look at a stacked cast and their different approaches to the work, while a Mayfair walk with last year’s BAFTA Rising Star recipient, David Jonsson, showed the ambition and commitment required to harness a creative career. We stopped in Berkeley Square and it turned out David used to sit on a bench there and dream of being an actor as an 18-year-old kid. I’ve grown to expect such poetic, full-circle moments in my work now and I’m so happy a number of them are in this issue. 

BUY ISSUE 12 HERE

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GREG WILLIAMS
Founder, Hollywood Authentic

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It was lovely to shoot David Jonsson for this hand-numbered limited special edition of Hollywood Authentic because kismet stuck during our time together. I rarely make a plan when I shoot a subject, and when David and I met in Mayfair we planned to hang out and chat. But, very unexpectedly, it turned out that the very bench he used to dream on as a kid was metres away from where we pulled over in Berkeley Square. That lovely, poetic discovery and full circle moment of achievement was echoed in his becoming a Cartier ambassador having seen, in his own family, the reverence for a Cartier ring that his mother bought his father. 

Alien: Romulus, BAFTA Rising Star award, Chaperones, The Long Walk, Wasteman
Photograph by Lauren Carnell

David is last year’s BAFTA Rising Star recipient and he’s building a career with integrity and for longevity, qualities shared with Cartier craftsmanship. I got the same sense from shooting this year’s Rising Star nominees, Robert Aramayo and Posy Sterling, in a caff in Pimlico; two gifted actors who want to tell important, culturally relevant stories. And our A Little Nonsense subject is also a former Rising Star recipient – Mia McKenna Bruce has consolidated her promise since her 2024 win and is now filming one of the biggest cinematic projects on the slate, Sam Mendes’ four-film event Beatles biopic. Having been an official BAFTA photographer for 20 years and worked with Cartier for a decade, and been side-of-stage when both David and Mia won – I feel like I’ve had a front row seat to their success.

The Cartier pre-BAFTA dinner party at The Arlington in London was an opportunity to celebrate talent in an intimate venue and to have some fun in the kitchens. I’ve always enjoyed the dichotomy of glamour and the working, industrial environment of a kitchen – and it evokes memories of presidents arriving at venues or Scorsese’s steadicam shot following Henry Hill through the kitchens to the Copacobana in Goodfellas. I took an illustrious crowd including Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe and Spike Fearn to the prep kitchens below the dining room for some play amongst the pans and hobs.

Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn
Tilda Swinton, Paul Mescal, Kate Hudson, Mark Strong, David Jonsson, Mia McKenna-Bruce, Robert Aramayo, Posy Sterling, Archie Medekwe, Spike Fearn

Later, when guests left the event they were given a hand-numbered limited edition of our Cartier special collaboration magazine. It was the perfect end to the perfect night. 

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GREG WILLIAMS
Founder, Hollywood Authentic

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Parenthood has been very much on my mind while creating our eleventh print issue of Hollywood Authentic. Not only because my wife Daisy and I just welcomed the latest edition to our family – a baby boy, Gene – but because of the importance of parents in providing an environment for talent and artistry to thrive. 

In shooting Kate Winslet as we returned to her hometown of Reading in the UK, it became increasingly apparent as we talked about her work and drive that her ability to find creative inspiration came from her mum and dad giving her the space and love to find it. 

Helen Mirren, Timothy Spall, Kate Winslet, Andrea Riseborough, Toni Collette, Goodbye June
Kate Winslet photographed by Greg Williams

Although she’s always been vocal and transparent about her humble background, it might surprise people who assume she was born with privilege to see her revisit where she spent her formative years, and reflect on how little she had growing up as a child. While she may not have been afforded fancy classes or posh days out, she was rich in love, security and encouragement. Her parents, despite their limited means, instilled in her a passion for theatre and performance that took her away from Reading and all the way to the Oscars stage. It was humbling and inspiring for me to see her re-live her days treading the boards at the Hexagon Theatre in Reading, recalling saving pennies on her bus fare and returning to her much-changed childhood home. And, as a parent herself, she is passing that inspiration onto her own children – having just directed her first film that is written by her son, Joe Anders. 

Laura Dern tells a similar story when she looks back on growing up in Hollywood with two indie actor parents who had to leave her to go away and work, but showed her abundance in terms of integrity and inspiration. She can trace a path directly from her own diverse, explorative career to the artists her parents were during her childhood. It reminds me how important it is to inspire our children. As my artist parents did for my brother Olly, a painter and poet, and I. 

And for that matter, how important it is that a magazine like Hollywood Authentic exists.

Unlike other magazines, we do not focus on fashion stories; we trade in artistic inspiration – whether that’s Lily James learning to give herself space away from her roles in order to arrive at projects refreshed, or writer/director Clint Bentley understanding that the movies he watched with his parents as a kid are the ones that inform his own art now. Also in this issue, award-winning costume designer Paul Tazewell unpicks the value of having an artistic family in building his career, while Adeel Akhtar recognises that his work is fuelled by the smell of home and the silliness of his children. 

I hope that in taking inspiration from artists and finding the stories behind their creativity that Hollywood Authentic inspires others, providing a space for new artists to grow. 

BUY ISSUE 11 HERE

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GREG WILLIAMS
Founder, Hollywood Authentic

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When we first started Hollywood Authentic, we were advised that most new magazines don’t make it past their third issue. I’m so proud to prove that statistic wrong by presenting you with issue 10, the most extraordinary issue we’ve ever created in terms of access and content.

Take my shoot with Dakota Johnson in London – a story nine years in the making and a key part of the creation of Hollywood Authentic. I first met Dakota on the red carpet at Venice in 2015 as she walked it with Johnny Depp for Black Mass. Afterward we travelled by boat to The Cipriani and I showed her the sort of photos I took – without a plan, we took a walk and shot some beautiful moments. In the same year, I bumped into Dakota at the Chateau Marmont and we made a plan to shoot the following morning. A plan with no plan. She collected me in her old pick-up and drove over to Laurel Canyon where she lived at the time. We stopped for coffee at the Canyon Store and then hung out in her backyard by the pool playing Radiohead records and chatting. The photos from that simple authentic slice of life were a stepping stone towards the shooting style I have since finessed, and right at the inception of the Hollywood Authentic ethos that I’m proud to say feels unique to other publications. Shooting Dakota in July in London felt like a full-circle moment.

A Bigger Splash, Daddio, Dakota Johnson, Materialists, Persuasion, Splitsville, Suspiria, The Lost Daughter, The Peanut Butter Falcon
Dakota Johnson and Greg Williams

Another great story in this issue is our shot-over-a-two-year-period account of David Corenswet’s rise to global fame, which began on the day he first set foot on set in his Superman costume and concluded with a flashback tour of his acting school, Juilliard.
It was amazing to experience a front-row seat to the metamorphosis of an actor becoming a star in real time – rather like when I documented Daniel Craig becoming Bond. 

Equally exclusive is our coverage of Emma Watson as she gauges her new priorities with our mutual friend Hassan Akkad over a game of pickleball on the French Riviera. Emma does little to no press, so to get access to her thoughts at this time felt like a gift. It was also extraordinary to get the in-garage access to Toto Wolff and the Mercedes-AMG F1 team at two Grand Prix in Bahrain and Monaco. There’s also inside-baseball insight from Arianne Phillips and Sandy Powell, my old friends and Bond writers Neal Purvis and Robert Wade, and Ariana Greenblatt talks ‘A Little Nonsense’. And we get a unique look around the Griffith Observatory care of photographer Mark Read. And did we mention the biggest movie actor in the world, Tom Cruise? As I say, our greatest issue yet…

BUY ISSUE 10 HERE

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GREG WILLIAMS
Founder, Hollywood Authentic

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Years ago – before Banshees or Saltburn – Barry Keoghan came to my studio and we started talking about photography and us working together. I asked Barry about his start and he told me the story of his difficult beginning in Dublin. It was heartbreaking and vital. I told him, ‘That’s the story I want to explore with you.’ It’s taken several years of back and forth to get to the point of us both flying into his home town and taking a trip around memory lane with him for the unflinching cover story you’re about to read. 

Not all the memories are good. But Barry was generous in opening up to me about his family life, the loss of his mother to heroin, his addiction and his sobriety as we returned to the homes he’d lived in and the streets he’d played in. This was raw, unfiltered recollection and for me, is a truly authentic tale that connects my photo-journalism roots with my work in entertainment more than any other I’ve done. This is a story of rising: how does someone start with every excuse in the world not to succeed and then excel? 

Barry’s vulnerability and honesty about pain, and his ability to channel that and bring it to the screen, is what makes him such an incredible actor – and it’s what costs him every time he performs. The bravery to feel is something that links all the subjects of our photo stories this issue. 

Douglas Booth talks about dyslexia and the cost of acting for him in contrast to his wife, Bel Powley. Kaia Gerber allows the darkness she sometimes feels in, so that she can access a character on stage. David Oyelowo discusses what the actors he admires give to roles and the sacrifice required as a Black actor from a small country like the UK. It’s this humanity that makes them all connect to audiences, and makes them fascinating individuals to shoot. 

Elsewhere in the issue, Havoc director Gareth Evans talks about the detail Tom Hardy puts into characterisation. Costume designer Ruth E. Carter discusses the dedication and vision needed to rise to the position she has reached as a history-making Oscar winner (and the doors she has opened for others). And photographer Mark Read captures one man’s temple to his own success in an LA building that holds numerous movie memories in its walls. All are testament to the power of graft and taking chances. As Oyelowo says, ‘The difference between good and great is hard work…’

barry keoghan, american animals, dunkirk, hurry up tomorrow, saltburn, the bashees of inisherin, the beatles
Barry Keoghan and Greg Williams

BUY ISSUE 9 HERE

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GREG WILLIAMS
Founder, Hollywood Authentic

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Hanging out and talking with Mikey Madison over a couple of days as she cooked breakfast pancakes, attended events and revisited her childhood home was a unique experience – and a perfect example of what Hollywood Authentic represents. Fiercely talented yet shy and incredibly honest, Mikey shared the artist at the core of her work without artifice. And it was a fascinating moment for me; I was watching a star being born. This issue is all about capturing rising raw talent. Monica Barbaro, who I last photographed at the Golden Globes during Top Gun: Maverick’s awards run, is now a formidable awards contender as Joan Baez in A Complete Unknown. Leo Woodall, who shot into our consciousness with The White Lotus, is now Bridget Jones’ possible new romantic interest. Malachi Kirby, a BAFTA winner with Mangrove, is now headlining a new binge-watch obsession. They say that luck is just a case of preparation meets opportunity. But it’s also about integrity and feeling sure that when opportunity knocks, you never miss.

anora, bottega vaneta, chloé, lanvin, louis vuitton, mikey madison, once upon a time… in hollywood, ralph lauren, tiffany, greg williams
Mikey Madison by Greg Williams

BUY ISSUE 8 HERE

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GREG WILLIAMS
Founder, Hollywood Authentic

hollywood authentic, greg williams, hollywood authentic magazine

When I first started Hollywood Authentic one of my more cynical friends questioned how Hollywood could possibly be authentic? Especially since it dealt for the most part in fiction. The more I connect with artists who are open, genuine, unapologetically flawed and vulnerable, the more apparent it becomes to me how wrong that friend was. 

Cartier, Gladiator II, Greg Williams, Gucci, Hamnet, Paul Mescal
Paul Mescal by Greg Williams

Take our cover subject, Paul Mescal, who opened up about mental health and self doubt while showing me his horse skills he learned for Gladiator II. Or Naomi Ackie, who creates deliberately ‘ugly paintings’ as a form of therapy against her constant need to strive for perfection. Both remind me of the lyric Ben Mendelsohn once quoted to me from Leonard Cohen’s song Anthem; ‘Forget your perfect offering; There is a crack, a crack in everything – That’s how the light gets in.’ I’m proud that Hollywood Authentic continues to show the cracks – and the light – through honest conversations with artists.

BUY ISSUE 7 HERE

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GREG WILLIAMS
Founder, Hollywood Authentic

hollywood authentic, greg williams, hollywood authentic magazine

In 2020, Cate Blanchett and I sat in the back of a car at a locked-down Venice Film Festival – where she was president of the jury – and discussed the idea I had for a magazine. She suggested a shoot with her chickens and I imagined what that would look like on the cover of Hollywood Authentic.

It was 2022 when we published our first issue; Sean Penn kindly agreed to be on our cover. Since then, I’ve continued to imagine that shoot with Cate and her chickens. Six months ago, my wife Daisy designed a gown inspired by Lauren Bacall in The Big Sleep for our fledgling Hollywood Authentic clothing range. We knew who we wanted to see in it and announced to the team that our dream was that Cate would wear it in a pair of muddy wellies holding a chicken in her potting shed. We got on with manifesting it. Fast forward to a serendipitous encounter at Glastonbury and hey presto…

greg williams, andrew upton, cate blanchett, glastonbury, hollywood authentic
Greg Williams and Andrew Upton by Cate Blanchett

This issue represents another example of artists showing their generosity in inviting me into their lives to show an unseen side of themselves. Generosity and motion is what links all our subjects in this issue; they’re driving kid’s electric jeeps (Cate), vintage tractors (Josh Hartnett) and Ferrari race cars (Nicholas Hoult) while talking about what propels their passions and careers. 

For this issue we also invited more collaborators into the Hollywood Authentic family. I met portrait photographer Charlie Clift at BAFTA a couple of years back and was immediately impressed by his work – he captures Lennie James for “a little nonsense”. We’re also thrilled to have Stephen Merchant guest-write his love letter to a Hollywood classic, Double Indemnity. Our now regular contributors are back: Gary Oldman and Gisele Schmidt write about the work of legendary Hollywood photographer Sam Shaw, Abbie Cornish gives us a review of Toronto Mexican restaurant Quetzal and Arianne Philips interviews veteran costume designer Albert Wolsky. Mark Read is also back turning his masterful lens to the Marin County Civic Center.

We’ve come full circle from that chat in Venice 2020 as we bring this issue to Venice 2024. I can’t wait to see what we take to the floating city in years to come…

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Greg Williams, Founder, Hollywood Authentic

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Our fifth issue of Hollywood Authentic marks a full-circle moment and point of change. We first created a simple rag of a magazine – 32 pages, no staples – and took it to Cannes two years ago. This year, we’re bringing our bigger, more beautiful evolution of the magazine back to the festival, now with an expanded team and content.

This issue, we welcome our new contributors shining a unique light on cinema – both the making of it and the enjoyment of it. Gary Oldman and his wife Gisele Schmidt join us to talk through their shared passion for film photography and the shot that sparked their romance. Abbie Cornish parlays her foodie passion into reviewing must-visit restaurants. Legendary costume designer Arianne Phillips provides insight into iconic on-screen wardrobes – having worked with Tarantino on Once Upon A Time…in Hollywood, she interviews Reservoir Dogs and Pulp Fiction costumier, Betsy Heimann. And Esquire’s UK editor-in-chief Alex Bilmes sings the praises of his favourite movie, In The Mood For Love. We’ve also expanded our editorial team and I’m proud to welcome film journalist Jane Crowther as editor-in-chief. Plus architectural photographer (and my college classmate) Mark Read brings his cinematic use of light to the bricks-and-mortar gem of a golden-era picture palace, the United Theater, in downtown LA. 

zoe saldana, greg williams, hollywood authentic
Greg Williams and Zoë Saldaña

With more pages we’ve been able to tell more stories of the craft, dreams and drive that inspire practitioners in the movie industry. Zoë Saldaña, who graces our cover, invited me to the beach to talk mortality, process and feeling like a diamond. Her ballerina training was evident as she danced across the sand. Also in California, Adria Arjona took me on a DIY journey round LA that provided insight into her acting process. I also hung out with Jack O’Connell in his local London neighbourhood, discussed inspiration with Julia Roberts in her trailer, followed the making of Mothers’ Instinct on set with Anne Hathaway and Jessica Chastain in New Jersey, and talked ‘A Little Nonsense’ with Stephen Merchant. 

I would like to say a big thanks to our advertisers for their support in making Hollywood Authentic a reality – I even shot the L’Oréal one you will see in the print edition ;). It’s all quite the glow-up from a garage enterprise to the fully fledged periodical you’re holding in your hands. We made this magazine for those obsessed with cinema and aim to provide an insider’s perspective of the dream factory.

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Greg Williams, Founder, Hollywood Authentic

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November 22, 2023

zoe sladana, cover story, hollywood authentic, issue 5, greg williams

You are looking at Hollywood Authentic, a project that is very dear to my heart, and one that has been gestating for the past 20 years.

Over that time I have developed a particular approach to my shoots, aiming to give people an insider’s perspective and the sense of an authentic, first-person interaction with my subjects.

There is a precedent here: back in the day, movie stars would allow photographers and writers into their world. A magazine like Life, in a window that spanned the 40 years from the ‘30s to the ‘70s, would regularly publish intimate profiles of the actors of the day. This type of journalism gave us so many of the iconic images we remember. And brought the magic of the dream factory to a wider audience.

hollywood authentic, issues 1-6, issue 1, issue 2, issue 3, issue 4, issue 5, issue 6, greg williams

That’s what Hollywood Authentic is all about. It’s a love letter to the movie industry – and not only the one based in California. Our aim is to make you feel that you are breathing the same air as the artists.

The method, whether I’m on set or in someone’s house, is the same. Put them at their ease. No team, just my camera and video camera…

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Greg Williams, Founder, Hollywood Authentic

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