Barry Keoghan takes Greg Williams back home to Dublin.

THE APPRENTICE
Words by JANE CROWTHER Ali Abbasi’s take on the origins of Donald Trump’s take-no-prisoners MO plays as a scuzzy 70s version of the Shakespearean Hal/Falstaff dynamic
Barry Keoghan takes Greg Williams back home to Dublin.

Words by JANE CROWTHER Ali Abbasi’s take on the origins of Donald Trump’s take-no-prisoners MO plays as a scuzzy 70s version of the Shakespearean Hal/Falstaff dynamic

Danny Boyle’s return to his ‘infected’ fable delivers the same nail-chomping tension, social commentary and energetic cinematography