BABYGIRL

August 31, 2024

antonio banderas, halina reijn, harris dickinson, nicole kidman, sophie wilde

Words by JANE CROWTHER


Halina Reijn’s erotic drama has caused a stir at Venice thanks to its frank, female-gaze portrayal of desire and the nuances of power. Though it shares some similarities with Secretary, Fatal Attraction and even Fifty Shades Of Grey, Babygirl is buzzy because it unflinchingly explores the ‘orgasm gap’ between men and women, and paints a picture of a complex, contradictory middle-aged woman’s lust without anyone’s bunny being boiled.

Nicole Kidman stars as tech CEO Romy who has it all together: a loving theatre director husband Jacob (Antonio Banderas), two lovely daughters, two sprawling houses (a Manhattan apartment and a country mansion), the respect of her colleagues and pots of money. A glass ceiling breaker and ballbuster, Romy has no problem asking for what she wants in boardrooms or cosmetic clinics but struggles to do so in bed. Opening on her climaxing astride her spouse, Romy sneaks off to another room post-copulation to masturbate over Daddy kink porn. There, in the darkness, on the floor, her feral orgasm is different and real compared to the performance she has put on for her partner. What Romy presents to her family and the world is very different to what she wants, and even then she’s not entirely sure what that is. Which is why new intern, Samuel (Harris Dickinson) intrigues and shocks her when he seems to instinctively sense exactly what she might need. A bold, self-assured young man who can control a raging dog in the street and tells her ‘I think you like to be told what to do’, Samuel whispers ‘good girl’ to her in a restaurant when she glugs a full glass of milk that he sends over to her table. 

Romy is a strong, powerful woman who loves her husband, but she’s also a product of her commune upbringing, horny and looking for validation of some of her darker fantasies. Both personas coexist, the spectrum of sexual need explored as the CEO and the intern embark on a push-pull affair tinged with BDSM but is also vulnerable, protective, needy, greedy, bashful and silly. Romy may kneel to lick a sweet from Samuel’s hand or milk from a saucer at his feet, but she will also cling to him as they sway to George Michael’s Father Figure and cuddle like family in a hotel suite bed. When he gives her her first non-masturbatory orgasm the growl she lets out into a grubby carpet is one of liberation and discovery.

The traditional assumption in this kind of cinematic trajectory is that someone will lose their life (literally or figuratively), that danger is associated with such unfettered hunger. But Reijn confounds expectation by metering out no punishment. Rather the protagonists discover something of themselves and use their individual power to move forward – whether that’s the ambitious exec assistant Esme (Talk To Me’s Sophie Wilde), a collaborative Jacob or Romy herself. The only person getting shafted in this tale is a predatory exec who tries to leverage his power for sex. As Samuel says at one point to another character; ‘that’s an outdated view of sexuality’.

Modern, sex-positive and optimistic, Babygirl is sure to prompt post-credit discussion and possibly even small revolutions in marital beds.


Words by JANE CROWTHER
Babygirl is in cinemas now

TRENDING

2025 Academy Awards, Emma Stone, Greg Williams, Leica Q3, Louis Vuitton

EMMA STONE

Greg Williams takes pause to consider the bigger picture on images seen small on his social media. This issue: Emma Stone…

bong joon-ho, mark ruffalo, mickey 17, naomi ackie, robert pattinson, steven yeun, toni collette

MICKEY 17

Mickey (Robert Pattinson) is a disposable worker, an expendable. Not just theoretically as so many of us feel…

BUY

You may also like…

Architecture, Back to the Future, DeLorean, Gamble House, Mark Read, Pasdena, Space Odyssey

THE TIME MACHINE

Photographs by MARK READ Words by JANE CROWTHER It’s a perfect example of the Arts and Crafts movement nestling in suburban Pasadena – and the onscreen location for the inception of Doc Brown’s flux capacitor. Hollywood Authentic goes back to the past (and the future) with the beautiful Gamble House. To step inside the hushed, wooden interior

adam driver, ferrari, venice film festival, venice dispatch, hollywood authentic, greg williams

ADAM DRIVER

VENICE DISPATCH 1 …Photographs by GREG WILLIAMS Adam Driver heading to the premiere of Ferrari. Michael Mann’s film is showing in competition at the 80th Venice Film Festival with Adam starring as Enzo Ferrari alongside Penélope Cruz, Shailene Woodley, Sarah Gadon and Patrick Dempsey. An American biographical sports thriller film written by Troy Kennedy Martin about Enzo Ferrari, the Italian

zoe saldana, zoë saldaña, emilia perez, hollywood authentic, greg williams

ZOË SALDAÑA

Photographs and interview by GREG WILLIAMSAs told to JANE CROWTHER I’m an island girl. I need to always be close to the water,’ says Zoë Saldaña. ‘As a kid in New York and the Dominican Republic we always went to the water. We always walked on the beach.’ I’ve come to meet Zoë a couple of