Austin Butler drives Greg Williams back home.

THE APPRENTICE
Ali Abbasi’s take on the origins of Donald Trump’s take-no-prisoners MO plays as a scuzzy 70s version of the Shakespearean Hal/Falstaff dynamic
Austin Butler drives Greg Williams back home.

Ali Abbasi’s take on the origins of Donald Trump’s take-no-prisoners MO plays as a scuzzy 70s version of the Shakespearean Hal/Falstaff dynamic

It’s been 24 years since the world was introduced to the celluloid Miss Jones, an endearing hot mess (Renée Zellweger)…