Austin Butler drives Greg Williams back home.
THE APPRENTICE
Ali Abbasi’s take on the origins of Donald Trump’s take-no-prisoners MO plays as a scuzzy 70s version of the Shakespearean Hal/Falstaff dynamic
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Austin Butler drives Greg Williams back home.
Ali Abbasi’s take on the origins of Donald Trump’s take-no-prisoners MO plays as a scuzzy 70s version of the Shakespearean Hal/Falstaff dynamic
It’s been 24 years since the world was introduced to the celluloid Miss Jones, an endearing hot mess (Renée Zellweger)…
