Taken from the cover story in Hollywood Authentic – Issue Two here.
Ana de Armas stars in Blonde, out now on Netflix
When Greg Williams photographs Tom Sturridge in his Cannes hotel suite just before he walks the red carpet for
Gillian Anderson opened up Cannes’ Un Certain Regard section this year with a sapphic, psycho-sexual, feminist take
The scheme at the centre of Wes Anderson’s latest is as precisely matriculated and detailed as the auteur’s work.
When we launched Hollywood Authentic last year we had a simple ambition: to revive the type of Hollywood coverage found in vintage copies of Life, Look and
Actor and producer Dakota Johnson explores London in a vintage Bentley with Greg Williams to discuss growing up in a Hollywood family
