JOHNNY DEPP

Dispatches

May 17, 2023

hollywood authentic, cannes dispatch, cannes film festival, greg williams, hollywood authentic

CANNES DISPATCH 1 …
Photographs by GREG WILLIAMS

You can call it a comeback, but as Johnny Depp tells me, “I mean, you have to have gone away to come back. I didn’t go nowhere…” It was lovely to shoot Johnny on his return to Cannes – and the first major outing in the film world since his highly publicised trial – for the world premiere of Jeanne Du Barry, directed by and co-starring French actress and filmmaker Maïwenn, which opened this year’s Cannes Film Festival.

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Johnny is back in the Hollywood spotlight, and it’s a unique moment for the actor. Johnny was last at the Cannes Film Festival for the premiere of Pirates of the Caribbean: On Stranger Tides in 2011. 12 years later, being back in Cannes is somewhat of a phoenix moment for the actor, “That was a real surprise,” he says.

In the car en route to the premiere, he talked about his tight, mischief-filled friendship with Marlon Brando and what it means to him to be welcomed back at Cannes.

Jeanne Du Barry is in cinemas now

Cannes Dispatch, Hollywood Authentic, Johnny Depp, Opens Cannes

THE PLAGUE

In his debut feature Charlie Polinger riffs on The Lord Of The Flies but makes it entirely his own and pertinent to today’s politics

THE CHRONOLOGY OF WATER

No bodily fluid is left untouched in Kristen Stewart’s raw, unflinching poem to wetness, adapted from Lidia Yuknavitch’s 2011 memoir…

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ALICIA VIKANDER

CANNES DISPATCH 5 … Photographs by GREG WILLIAMS Alicia Vikander stars in Karim Aïnouz’s Firebrand, which screened in Competition at the 76th Cannes Film Festival. Vikander plays Catherine Parr alongside Jude Law as King Henry VIII. The story – adapted from Elizabeth Fremantle’s 2013 novel, Queen’s Gambit – details the life of the King of

NIGHTBITCH

Words by JANE CROWTHER You don’t have to be a parent or have been part of raising a child to feel the vibes of Marielle Heller’s adaptation of Rachel Yoder’s novel. But anyone who has ever played the hundredth mindnumbing toddler game in a day, cleaned up ankle-biter messes on rinse and repeat or prayed that

THE SECOND ACT

Words by JANE CROWTHER Archly meta and reflexive, Quentin Dupieux’s cheeky comedy is precisely the sort of movie to open a film festival – with its fourth wall breaks, mid-scene appeals to film buffs and discussion on the purpose of art. Audiences for Cannes’ opening night film ate up a self-described indie that has plenty to