Photographs by GREG WILLIAMS
Interview by JANE CROWTHER

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When Hollywood Authentic meets up with Adria Arjona and her Splitsville castmate (and co-producer) Dakota Johnson in a suite at the Majestic Hotel on the Cannes Criosette it doesn’t take long for talk to turn frank. ‘In your penis scene, you saw balls?’ Arjona asks. “Not in your penis scene. In my penis scene,’ Johnson replies. It has to be said, Splitsville has a number of penis scenes to choose from in a comedy that charts the emotional fallout of two couples – Arjona’s Ashley and her spouse Carey (Kyle Marvin) and Johnson’s Julie are her other half Paul (writer/director Michael Angelo Covino) – as they break-up and try to negotiate open relationships. That’s explored by male nudity, destructively funny house fights, goldfish on rollercoaster disasters and an opening scene that sees Arjona singing The Fray during a car ride that starts with a handjob and ends with death and divorce. 

‘What it’s about is something that has always really intrigued me,’ Arjona says of the lure to both acting and exec-producing on the project from the team behind TIFF hit The Climb. ‘This is fun – a movie about messy relationships. And I’ve never played a character like Ashley. I was like, ‘Oh, I get to be bonkers for a little bit’. Johnson nods; ‘It’s very authentic,’ she laughs.

Johnson’s company TeaTime Pictures part-financed the film and she is used to producing, but for Arjona this was an opportunity to refine her behind-the-camera experience further and give herself more agency within the industry. ‘I’ve produced the last couple of things that I’ve been in. [Last year’s AIDs drama] Los Frikis was the first that asked me to do that. And I learned so much. You have a seat at the table. You have a little bit more ownership over your character. And then you’re so much more invested, I feel, as an actor. It’s not that I’m not invested in movies that I don’t produce. But when you do produce them, you get the best schooling in the world. You get to be a part of the edit, and you get to really understand how movies are made. As an actor we do our job, and then we leave. And a whole other movie is formed without us being present. So really getting to understand how filmmakers’ brains work, has been a really big gift. I think I’ve become a better actor by producing, because you’re just understanding planning, the schedule, the budget and the editing. You see the world completely differently. I’m acting but I’m also thinking ‘we’re losing time. We’re losing light…’’

It sounds like Arjona, who has recently worked with Zoë Kravitz on her directorial debut, Blink Twice, might be working towards helming a picture herself? A huge smile breaks out across her face. ‘I would love to direct. It’s probably one of my biggest dreams. But I’m terrified. I’ve got a lot more filmmakers to work with before I decide to make my own movie, and I also haven’t found the story yet.’

For now she has a full slate to continue learning from in preparation. She’s got Adam Wingard’s horror-actioner Onslaught upcoming in which she plays a mother fighting to protect her family opposite Dan Stevens and Rebecca Hall. She also produced. ‘That one is a wild one. It’s crazy. It’s Adam going back to what he’s great at, what he proved to the world he could do with The Guest. So I played in the service of Adam’s vision. It’s the most extreme thing I think I’ve done. And it was a great experience.’ She’s also just completed filming on Amazon Prime’s buzzy new show, generational mob drama Criminal, acting alongside Charlie Hunnam, Richard Jenkins and Emilia Clarke. ‘Charlie is insane. He’s so cool and so sweet. It’s broken down into two sections. I’m four episodes, Emilia comes in the other four. It was a cool experience.’

Cannes, she says, is also a cool experience – and a switch-up from when she visited three years ago with Olivier Assayas’s TV show, Irma Vep. Then she was a relative unknown, now she’s the star and producer of the film she’s presenting to the festival, having made waves since in Hit Man and Andor. ‘It’s a very different experience. Irma Vep was a big ensemble cast and it’s very much Alicia [Vikander’s] show. So coming now, with this, and being with these guys, was pretty special. In a way, it kind of felt like my first time.’She’s also glad to bring the rom-com vibe to the festival. Splitsville is certainly romantic and comedic – but with a modern twist. ‘Oh, man, rom-coms are my favourite. You make all these movies, but then you come home, and you’re like, ‘I just want to curl up, and watch a really good romcom.’ And to be a part of them, too. I think we’re in this really interesting era of redefining what that is, or what romcoms are for this generation. And what resonates for people – the more I watch things, or watching people’s reactions – is things that are a little bit off-centre, and things that touch on complex subjects. Because there’s nothing more fun than watching people fall in love, fall out of love, and then fall back in love. And messily…’